Coined l'enfant terrible in the super yacht industry for his somewhat controversial and daring designs, it is time to delve into the mind of Alexander McDiarmid, whose creativity is constantly at the forefront to outdo the norm and whose 3 ½ year old son is his biggest critic. Is it a case of the good, the bad and the ugly, or simply genius? We let you decide.

Who is Alexander McDiarmid in your own words?
A humble design merchant serving his clients as a purveyor of creativity.

Who is Alexander McDiarmid to the outside world?
“Beautiful designs.”
“Incredible design from an incredible designer. Truly spectacular.”
Some might say audacious. You have to be if you want to achieve anything great in life.

When did you know you were a born designer?
I had an early Montessori education and remember overhearing the teacher talking with my mother regarding something that I had created that day. Later on, brilliant high school teachers who encouraged and pushed me. Industrial design is in the middle of the art and science spectrum so it made sense to study the subject.

Where does your creativity stem from?
They say the creative adult is the child who survived. As the son of an engineer and private chef, I was always reading about how things work, drawing with my father’s drafting equipment and building things, all while watching beautiful, edible creations come to life.

Five words to describe your design style/ethos.
I don’t have a style. That’s five words.
Designers should not follow trends especially not for superyacht design. 

Take pride in your work and set yourself apart from the rest. Trends fade, style lasts.

Do you think your personal or professional parcours has shaped who you are?
Absolutely and you are continually shaped by your environment and experiences both professional and personal. Long standing industry friends who have and continue to be with me from the start of which I am very grateful for their continued influence, help and guidance.

What rocks your boat in terms of design? Not necessarily yachting related…
I love aviation design, fast jets in particular, military and civil design. Car design, futurism, absolute crisp graphic design and beautiful furniture design. I find angles, surfaces, details and symmetry exciting yet all very soothing.

Who branded you with “enfant terrible” and do you think you are?
A Canadian luxury lifestyle journalist based in Shanghai, Stephan Luc Larose. He was one of the first journalists to see my early concepts and feature them in a Chinese yachting article. Shortly afterwards Michael Howorth of Superyacht News amongst others and it stuck. It is a label but very humbling at the same time. I guess it’s a reflection of my work in what is still a very conservative yachting industry. A rebel with a design cause you could say.

What is your stance of the yacht designs we currently see at sea?
We are in a sea of utter mediocrity with regards to the majority of current yacht design. While there are some gems out there they remain few and far between. I’m always curious to see the differences in exterior design and styling solutions by Naval Architects and Industrial Designers. You cannot command both disciplines and expect great results yet sadly it occurs all too often. When you read certain comments in the yachting press you can perhaps see why many yachts look the same: I try to repeat some details that I’m particularly fond of but give them a new twist and make a little change here and there to make it more original and ensure that the clients feel that they’re getting something completely different.
The continued selling of on-spec, usually white or beige, same-as-it-ever-was yachts to repeat customers seem to be the only profiles that regularly move and keep the industry afloat. With the arrival of M/Y A and more recently S/Y A these are true bespoke superyachts in every sense of the word. Not just for their LOA or size as is often the case, but fresh design thinking by their brave, innovative and visionary owner. They are by no means to everybody’s taste but that really does not matter.

Name one factor that makes your projects unique or is their unique selling point?
I’m very lucky to have an imagination and often just joining the dots by making relevant connections.

What is the next step in yacht design?
Introduction and integration of the new and next generation of owners who will bring their visions of yacht design to the industry. It is the job of the designer to provide intelligent solutions for their clients and even the most adventurous designs can be regulated. Reading a recent interview with one of the main brokerage companies who in describing the next generation of new build owners concluded:

They like daring designs, and they don’t want to own a yacht like their grandad’s.

What’s your favourite yacht design to date?
The one we are currently working on. It’s pretty. And daring.

Who loves/loathes your designs?
My son. At 3 ½ years old you will not find a more honest design critic. However it has always been and continues to be a succinctly love or hate reaction to my work. I have heard that there are some traditionalists in the yachting industry but things are changing.

Ecological yachts - your take on them?
I don’t think we will ever see a true ecological yacht if you think about the materials that go into the construction. It’s clever ‘Green Marketing’ industry wide but we do need cleaner propulsion and stricter sustainability in material choices. They say 25-30 years for electric aviation solutions so a similar time for yacht propulsion. You cannot rush chemistry in terms of battery technology so we are still a long way off from being able to power and propel a 100m+ superyacht by battery alone.

If you could have any yacht in the world, which one would it be and why?
If I could be an owner for the day only… Christina O, the original superyacht and to sit at ‘Ari's Bar’, created by the original superyacht owner. She was originally a WWII anti-submarine River-class frigate. True visionary, conversion thinking for the time by her owner, old school elegance.

What in your mind are the key amenities any yacht should have?
Owning a yacht should be fun above all else. Amenitiessuch as light, space, volume, comfort, privacy, relaxation should contribute to this enjoyment. Heli deck, beach deck, wellness area, submarine and a well stocked tender garage of toys. Dare I say some real innovation too?

Client vs Designer or Designer vs Client?
Client is always King & Queen. It will always be their yacht design project. But a designer must have the crucial ability to say ‘No’ to their clients if needed. If the laws of physics or manufacturing dictate something cannot be done… Find a solution.

What do you do to make the world a better place?

For the design world I try to give younger designers their first experience and opportunity in the industry. I remember that feeling landing my first design job and starting my career. For the real world, Aix-en-Provence is a very wealthy society bubble and with this comes a lot of homelessness. We regularly bring food and water to those who need it especially during the current heatwave. In general I am a stickler for recycling also.

Outside of the realm of design, what do you enjoy?
My wonderful wife and our family time. Watching our two young, bilingual children growing up, their creativity astounds me. Also cooking. We have beautiful fresh, local and seasonal ingredients here in the South of France. The French really know how to live well.

Your favourite spot in the world?
Our ‘Mas’ home set amongst the olive and almond groves of Provence. We are on the ‘Route des vins’ and spoilt for choice with Côtes de Provence.

What is one question you would like to be asked, that has yet to be asked and what is the answer?
Do you have a design hero? Industrial Designer Raymond Loewy for the magnitude of his design projects across a variety of industries. He dreamed big and made the 20th Century beautiful.

For more information contact Natalia Langsdale of Bright Creativity.


Creative Director and artist, Gyunel at work in her London-based atelier.

Creative Director and artist, Gyunel at work in her London-based atelier.

GYUNEL is a luxury brand known across the globe for creating the absolute finest in bespoke couture. Highly reputed for its exquisite craftsmanship and timeless design, it has grown to be a top choice for the world’s most influential women, whilst modestly gaining much admiration and recognition from the international press.

Founded in 2005 by Azerbaijan born, Gyunel, who then embarked on a creative quest to retell the story of timeless fashion, GYUNEL today caters to an exclusive couture clientele, offering an unparalleled by-appointment-only service at the House’s opulent showroom just opposite Harrods in London’s Knightsbridge.

With an eye for refined craftsmanship, elegance and reverie, GYUNEL has undoubtedly set a new standard in the realm of bespoke couture. Before expanding her horizons in fashion and couture, Gyunel was a successful artist. Each of her collections starts with her creative oil paintings, and is then transformed into working fashion designs.

These paintings are subsequently turned into prints on duchess, organza, crepe de chine and georgette created in-house in her London atelier. Gyunel is known for her ethereal prints and unique designs across all collections, and the supernatural theme of this collection continues to prove her signature creativity. 

Friends of the brand include Natalie Portman, Sharon Stone, Michelle Yeoh, Eva Longoria, Cara Delevingne, Olivia Palermo, Erin O’Connor, Yasmin Le Bon, Coco Rocha, Izabel Goulart, Nina Agdal and HRH Princess Al Said of Oman. 

Friends of GYUNEL wearing her creations at high profile events worldwide.

Friends of GYUNEL wearing her creations at high profile events worldwide.

At the GYUNEL Couture Autumn/Winter 2017-18 collection presented during Haute Couture week in Paris, France, all eyes were on the place Vendôme celebrated landmark that is the Hotel d’Evreux. The event took its form as a runway show attended by the likes of actress Marisa Berenson, fashion icon Christina Pitanguy, bloggers Kristina Bazan, Daniela Botero and Zara Alexandrova and designer Olivier Lapidus with his two daughters, Milla and Koukla.

A star-studded congregation arrived at the GYUNEL Couture Autumn/Winter 2017-18 show.

A star-studded congregation arrived at the GYUNEL Couture Autumn/Winter 2017-18 show.

On the catwalk appeared model and philanthropist, Petra Nemcova in ‘Fitna and the Bull’ (look 11), carrying a bull-shaped sculpted artwork on her shoulders, thus tying in Gyunel’s inspiration with the focal point of women’s empowerment principles.

Inspired by George Orwell’s dystopian masterpiece “1984”, as well as Kurt Wimmer’s “Equilibrium”, Gyunel’s latest couture collection combines avant-garde architectural lines with natural elements in what she describes as “what I imagine the characters would try to create for their utopia, after destroying the dystopian regime”. Her outfits represent an impression of nature and abstract modern architecture working together to create an otherworldly universe, full of balance between the modern and the organic.

This collection tells the story of a girl that teleports through time and space, from old books to parallel universes and mythological lands. Gyunel describes her muses as Luc Besson’s “Lucy, a character who takes drugs and begins to acquire increasingly enhanced physical and mental capabilities, such as telepathy, telekinesis, mental time travel, and the ability not to feel pain or other discomforts”, and Fitna from the Azeri folktale where a young girl carries a calf on her shoulders every day until adulthood at which time the calf has grown into a full-sized bull, in order to impart a lesson to the King that one can achieve everything with practice.

There is a beautiful sense of escapism in this particular story, and the colour palette follows this journey, as the collection flows from dark to light. Structured textiles representing the two contrasting worlds of nature and urban modernity fuse together in perfect harmony. Techniques include twisted bugle embellishments, structured translucent organza surfaces with visible loose metallic threads woven with jacquard to emphasise the turmoil one must go through when plotting against their old ideals. Geometric diamond cuts coupled with soft metallic abstract prints highlight femininity and demonstrate strength within the muse. From a dark past, our muses move towards an optimistic, idealistic future.

This Is Where The Fashion Is Born - Behind The Scenes Photos


It is a sizzling hot morning in June, and the clocks are striking ten. The most influential menswear trade show in Florence, Pitti Uomo has opened its gates wide open. It is a mismatch of an pre-Interet era trade-show and Instagram fashion purists’ playground. The paparazzi’s and various fashion hunters have lined up their big lenses towards the eclectic crowd. People passing by are professionals. They know exactly how to look, smile (or rather not to smile), pose and still keep moving like it was a day like any other. Except it is not.

Behind every Instagram profile, there is a much more complex person that’s the key to understand the style and fashion you see now in magazines, Youtube and with half a year delay, on street. Pitti Uomo is the place where the fashion is created, shared and celebrated by the Internet era creative geniuses.

Today is the day these prodigies of fashion and creativity show their results of months, maybe years’ preparation. And every time, Instagram goes mad about these guys. They are free prey for the hungry bloggers, photographers, journalists, tv-hosts and their followers love it. It is the powerful mixture of genius personalities (with vast followings), their unique creations and the background of gorgeous, mediaval Florence that creates this fiesta of creativity and marvel. And the Internet loves it. There is so much rich content for the bloggers and photographers that the Internet frenzy doesn’t stop until the next Pitti Uomo starts (after 6 months). But is not only the media that is interested about the latest creations. The exhibition halls around the Piazza where the creative geniuses show their feathers are full of Big Fashion Corporations, holding their breath and making notes what to include to their next collection. This is where the fashion is born.  

My name is Max Noble and I am an Adventurer, Cosmopolitan & Life Connoisseur and I am writing a book titled "The Laws of First Impression - Your guide on how to Master the Power of First Impression"

Rampley & Co introduces the BRITISH MUSEUM COLLECTION

The collaboration with the British Museum is made up of three stunning designs. Paintings from India is inspired by several magnificent paintings from India in the museum’s collection. Merian’s Drawings of Surinam Insects & Birds inspired by a number of drawings in an album by the German artist Maria Sibylla Merian and her two daughters. Japanese Scrolls completes the collection, this subtle but intriguing piece takes inspiration from the Museum’s hand painted Japanese Scrolls.

Rampley and Co was born out of a passion to create elegant men's accessories through innovative design, the best available fabrics and quality craftsmanship. We felt that by working with exquisite materials such as Harris Tweed or collaborating with partners such at the National Gallery, the British Museum and the V&A we could create men’s fashion accessories that were truly interesting and unique.

Our men’s silk pocket squares are printed in a factory with a rich history in Macclesfield, an area famous for English textiles for over 300 years, as we look to blend new ideas with the historical roots of British fashion. For more information turn to their website.

RUBIROSA announces the launch of the next level of Gentlemen’s Sneakers

Gentlemen’s Sneakers: An innovative brand to launch through a Worldwide Crowdfunding Kickstarter Campaign

Flavio Agosti, the co-founder of RUBIROSA just announced the launch of the next generation of gentlemen’s sneakers.; the most recent invention and creativity in men‘s shoes designed by hand using top-quality leather and maintaining the exclusive standards of Italian craftsmanship. It is the leading smart and creative men‘s shoe that helps the wearer relax and move better either at home or on-the-go by combining comfort and high quality in line with the ability to correctly secure the shoe with a simple well knitted showlace.

RUBIROSA is a Swiss based private firm established with the primary aim of ensuring that its esteemed customers get high quality and innovative products at great prices leveraging on years of experience in craftmanship, quality control and production management. The firm is focused on designing fascinating and innovative gentlemen’s shoes using the highest quality of leather materials as well as the experience of centuries of traditional Italian craftmanship.

Through a perfect blend of expertise, ancient Italian traditional craftsmanship, sophisticated leather materials and cutting edge technology, RUBIROSA has earned a standing reputation in the design and delivery of the most captivating and fashionable men’s shoes leading to the satisfaction of its valued customers as well as positive feedback and referral. RUBIROSA products are born out of the philosophy of the legendary Latin American gentleman Porfirio Rubirosa; a fashion icon who lived between 1909 and 1965.

RUBIROSA has announced its crowdfunding campaign on Kickstarter to raise funds for the production of the next generation of gentlemen’s sneakers and to finalizise the new packaging components so that the sneakers can arrive in homes across the world as soon as possible. Kickstarter; is an enormous global community built around creativity and creative projects established with the mission of bringing creative projects to life. It is the ideal platform to launch the next generation of gentlemen’s sneakers because RUBIROSA has an attractive and creative product which offers an exquisite way of bringing comfort and relaxation to the users.

Flavio Agosti says, “We believe people are going to fall in love with our new generation of gentlemen’s sneakers and the story of the brand. Our unique and high quality handcrafted gentlemen’s sneakers are made from the finest leather materials using the traditional standards of Italian craftmanship in the most experieced workshop in Italy. It delivers high-performance, unrivalled comfort and durable wearer experience to the users“.

The high-quality gentlemen’s sneakers are aimed at modern cosmopolitans of every age who value class and aesthetics. Men who have certain aspirations for themselves and those around them. Like the style icon Rubirosa, this young label represents an outlook on life: embracing beautiful things, fashion, style, pleasure, personality, authenticity and creativity. The unmistakable character of the handcrafted shoes is revealed primarily in its day-to-day wear and the quality of the materials shines through in their unbeatable wearer comfort.

For more information about the gentlemen’s sneakers visit and to support the Kickstarter campaign visit


Nowadays, timepieces are usually evocative of ones we wear on our wrists but when we trace back the long-winded history of watches, there was and always has been of course the clock. Made in Britain, Thomas Mercer offer the world's finest chronometers. Their philosophy is truly quite straightforward to the point that it is a wonderfully simple testament of their finest hours:

We believe that our duty is to design and manufacture the world’s finest chronometers.
— Thomas Mercer

The master craftsmen behind each clock each in their own right bear the sealing stamp of what makes these pieces of art truly magnificent and unique. The best of British design and craftsmanship delivers an impeccable style and perfection in performance. With each tick of the hand, Thomas Mercer magically turns the accurate measurement of time into an enduring passion that has been ticking along unfalteringly since 1858.

While Thomas Mercer respects the past, they flawlessly continuously reinvent the future while remaining loyal to their heritage and particularities.


Homage to the association of clocks and the world at sea, with over 31,000 marine chronometers produced since late 1890s, Thomas Mercer certainly understands what it is that makes sailors and horological collectors tick.

Mirroring the delights of the sea with their adventure-seeking clients, the Thomas Mercer marine chronometers have played a vital role in many a maritime expedition. Sir Ernest Shackleton relied on a Thomas Mercer instrument during his epic journey across the Weddell Sea in 1916 and the expert time makers even made the chronometer used by Sir Francis Chichester during the 1970 Atlantic Challenge.


A more recent link to the aficionado yachtsmen and women was the stellar collaboration with world renowned designer, Andrew Winch for the 'Classis' piece in 2012. The name Classis, from the Latin word for fleet, heralds the next dynasty of chronometers from Thomas Mercer.

'Classis' by Winch Design and Thomas Mercer

'Classis' by Winch Design and Thomas Mercer

Navigated by Thomas Mercer chronometers, Andrew Winch designs yachts that cruise and travel to the furthest coasts of the sea. For the two names to come together therefore, the partnership was natural, given the exclusivity, excellence and Britishness between the two. The result was a redefinition of the marine chronometer for yachtsmen and women of the 21st century. A combination of mechanical perfection and heritage matched with superb design and innovation.

Alessandro Quintavelle, CEO at Thomas Mercer beautifully encapsulated the idea: "Once the timepiece that enabled adventurers to explore and map the World, today the marine chronometer becomes an objet d'art of revolutionary design, desired and anticipated by the owners of the world's finest yachts.

Their masterpiece, produced in a limited series of 10 units and inspired by the shape of a winch, recounts the most important voyages of discovery in the history of navigation. The departure year, the coordinates of the most significant points reached during the trip and the image of each ship are engraved on the case, and the twelve names are made of satinwood inlaid on a fine ebony Macassar body. In addition to this, the dozen achievements are symbolically united in the Mercator Map standing out from the dial.

The unique style and beauty of the exterior of Classis is also found in the mechanism. The escapement, truly the beating heart of the mechanism, comes in its par excellence Spring Detent form, and, in a masterstroke of originality, is visible on the dial to thus display its extraordinary grace.

The movement marks the occasion with a stunning bi-colour selective finish: a beautiful combination of polished and grenel effects.

Another sine qua non of this chronometer is the gimbals' suspension that allows the movement to remain horizontal regardless of the motion of the ship - ideal for achieving maximum accuracy.

The design, while featuring the traditional elements of a pure chronometer, has in addition transformed the movement itself into an objet d'art, bearing witness to the revival of a sophisticated art form that today can be brought back to life only with great difficulty; only by Thomas Mercer.


The science of timekeeping is encompassed by Thomas Mercer in a mechanical delight. Each one carefully crafted to deliver complete accuracy and rewarding aesthetics. Celebrating the beauty of engineering, the intricate mechanisms are often on show. It goes so far even to say that the instruments have since the Thomas Mercer inception succeeded in several Greenwich Trials, the ultimate test of chronometry, and have been acquired by the British Admiralty. They say that past glories should be matched by future achievements, of course, and thus they maintain to relish every opportunity to develop innovative instruments and new mechanisms.

A feast for the eye and certainly the epitome of classic matched with unparalleled expertise and precision.

NIO EP9 - The fastest electric car in the world

On February 23, the NIO EP9 drove the fastest ever autonomous lap at the Circuit of the Americas Race Track in Austin, Texas. Driving autonomously without any interventions, recording a time of 2m 40.33s (two minutes, 40.33 seconds) at a top speed of 160 mph. The same day, the NIO EP9 also beat the fastest COTA lap time for a production car with a driver, achieving a lap time of 2m 11.30s (two minutes, 11.30 seconds) and reaching a top speed of 170 mph.

The technology and software which delivered the world’s fastest autonomous lap was developed by the engineers at NIO U.S. headquartered in Silicon Valley. This tremendous feat was accomplished from start to finish in just 4 months.

A few months ago, on October 12, 2016, the NIO EP9 set a record at the Nürburgring Nordschliefe and lapped the 20.8km ‘Green Hell’ in 7m 05.12s, making it the fastest electric car in the world.

With four high-performance inboard motors and four individual gearboxes, the EP9 delivers 1-MegaWatt of power, equivalent to 1360PS (1342BHP). The EP9 accelerates from 0-124 mph in 7.1 seconds and has a top speed of 194 miles per hour. With an interchangeable battery system, the EP9 is designed to be charged in 45 minutes and has a range of 265 miles.

Padmasree Warrior, CEO of NIO U.S said, “At NIO, we are all about raising the bar for the entire automotive industry. Breaking records with the NIO EP9 demonstrates our automotive and technology expertise to be a leader in the global market. Our Silicon Valley team brings together the best talent from automotive and software domains, which helped us achieve this remarkable result in an incredibly short time. Our goal is to be the best next generation car company, by delivering autonomous vehicles with amazing experiences for people all over the world. We look forward to sharing our vision for the car of the future in Austin, Texas at SXSW in March.”

COTA COO, Katja Heims said: “We are honored to be a part of NIO’s amazing lap record and see performance and autonomy coexist. We all know that autonomous vehicles are part of the future and this new record is further proof.”


It's not often you enter a prestigious venue such as Wine Palace Monte-Carlo for an evening of refined wine tasting thanks to host with the most, Bradley Mitton of Club Vivanova and you are greeted by a line-up of Shiraz bottles bearing the distinctive name of 'Old Bastard.'

While standing out like a 'sore thumb' amidst classic, elegant labels of some 3,200 other vinous delights on offer at one of Europe's largest wine cellars in Monaco, something about this particular eye-catching name and label made us guests take a second glance and implore to delve into the magic world of this fine Kaesler wine.

They say the book does not make a cover, well the same applies to wines. Old Bastard is indeed actually very highly ranked in the wine connoisseur's world despite its perhaps ambiguous name. Not to mention the artwork whose history is equally impressive and perhaps not as well known by amateurs of drawings and the golden era of cartoonists.

A little anecdote before delving back into the wine... Kaesler commissioned the wonderful Ralph Steadman to design the Old Bastard label, in late 2001. The first vintage to have his label was the 2002 Old Bastard Shiraz. Reid owns the Kaesler winery with a business partner called Ed Peter. It was Ed’s idea to approach Ralph Steadman in fact.

Still a little unclear as to the how and why, I was told that it is believed that it was because Ed was a big fan of the TV show “Yes, Minister” and had always admired the title card illustrations, with distorted and over-exaggerated caricature sketches of the main characters. Thinking them to be by Ralph Steadman (they were actually by Steadman’s contemporary, the cartoonist and illustrator Gerald Scarfe!), Ed had the idea to have a similarly distorted and grotesque caricature of an old bastard on the ‘Old Bastard’ label!

Cue to the extraordinary feat that the gnarly vines lovingly caressed by the stark sun of Australia and the old men's hands that year in year out, painstakingly plucked at to maintain a tradition so steeped that the lush swirl in my wine glass emanated while the heritage was humorously explained to the group by wine connoisseur extraordinaire and very own Kaesler guru, Sacha Timaeus.

After sharing another season with her soul mate, the sun, the Old Bastard Shiraz vines were pure and perfect. Old Bastard was first released in 1998 actually. The fruit was hand-picked and sourced from Shiraz vines planted back in 1893. Matured in 35% new and the remainder in 1 year old French oak. The wine making procedure is a closely guarded secret, with innovative techniques as yet revealed to new world wine. But what they can tell us is it was harvested by hand at the crack of dawn, when there was enough light shinning through the crystals looking like an amazing ranbow across the small vineyard.
— Kaesler


Now that we had been well and truly briefed while the dregs of the first tasting lingered lovingly on our palate, we immersed into the extraordinary history. 

The Kaesler vineyards were owned and run by the Kaesler family from 1893 to 1986, and who came from Silesia. I was thrilled to learn this as my husband is from Silesia (a nether region of Poland) and little do people know or understand about its coloured history marked by its borders and national affiliation that changed so very many times over the centuries.

Back to the roots - the Kaesler family were pioneers who settled in the Barossa Valley in the 1840s. In 1891 they bought a parcel of land and in 1893 planted their first vines. Today, Kaesler Wines are made from these ancient, dry grown vineyards by the third owners of this magnificent property. Barossa Valley Winery and Cellar Door is actually today home of The Old Bastard, Alte Reben Shiraz, The Bogan and other estate grown premium wines.

In 1999, winemaker Reid Bosward seized the opportunity to become the head of the new Kaesler family when he and his partners bought Kaesler, becoming the third owners of this property. At this time, the Kaesler vineyards consisted of over 70% red wine vines, all 40 years of age or more.

Now having access to premium old vine material, Reid set out to produce bold estate wines representative of the Barossa Valley. The intensity of the old vine Shiraz inspired Reid to produce a special premium batch, the “Old Bastard.” Classified as “Outstanding” by Langtons with its rich and intense fruit style, the Old Bastard Shiraz paved the way for Kaesler. A string of highly celebrated wines followed suit, the generous Stonehorse range and premium Old Vine Shiraz, “The Bogan” and Alte Reben wines to name a few.

A 5 star James Halliday rated winery, Reid and winemaker Stephen Dew, with their distinct style and modest winemaking techniques, consistently produce wines rated over 90 points by industry peers and publications.

Adding to their growing family, Reid and his partners acquired vineyards in the prominent wine regions of the Clare Valley and McLaren Vale, establishing the Clare Wine Co. and Nashwauk brands. Applying the same winemaking techniques and philosophies as their Barossa Valley wines, they created a signature style that emanates across the all their regional brands.

Well if this wasn't a history lesson, then I don't know what could top it off! When humour marries fine heritage and an encyclopaedia of terminology and geography, you get a pretty nice swish of ingredients to sample on in a tall Baccarat glass - fantastic!